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Cinematography

The slow movement of the camera brings thrill to a scene: Manoj Soni
3 years ago

The slow movement of the camera brings thrill to a scene: Manoj Soni

Cinematographer of Raaz Reboot, Manoj Soni gives us a peek into the making of his first horror flick and the experience of working with Vikram Bhatt
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Main task was getting correct angles for golf sequences: Mahesh Limaye
3 years ago

Main task was getting correct angles for golf sequences: Mahesh Limaye

Cinematographer Mahesh Limaye spoke to Pandolin about shooting Freaky Ali, India’s first full-fledged film on golf.
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Though the film is set abroad, we wanted an Indian look: Ravi K Chandran
3 years ago

Though the film is set abroad, we wanted an Indian look: Ravi K Chandran

DOP Ravi K Chandran shares the experience of shooting his first digital film Baar Baar Dekho, working with director Nitya Mehra and more.
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The shots in Akira had to be shaky and real – R. D. Rajasekhar
3 years ago

The shots in Akira had to be shaky and real – R. D. Rajasekhar

Cinematographer R.D. Rajasekhar talks about the challenges of shooting his first Hindi film, about remakes in general and and working with a female hero.
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People will see an amazing side of India in SMTT – Arshad Khan
3 years ago

People will see an amazing side of India in SMTT – Arshad Khan

From Kashmir to the Sunburn festival in Goa, Cinematographer Arshad Khan takes us through the journey of his debut film Sunshine Music Tours & Travels
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Mohenjo Daro is my first digital feature film – C.K.Muraleedharan
3 years ago

Mohenjo Daro is my first digital feature film – C.K.Muraleedharan

Ace cinematographer C.K.Muraleedharan shares all that went into the making of an elaborate period drama like Mohenjo Daro
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Production Posts – Rustom
3 years ago

Production Posts – Rustom

Writer Vipul Rawal, cinematographer Santosh Thundiyil & costume designer Ameira Punvani, unveil the do’s and innumerable ‘to be done’s’ behind Rustom
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Dishoom has a good mix of grunge and glamour – Ayananka Bose
3 years ago

Dishoom has a good mix of grunge and glamour – Ayananka Bose

Ayananka Bose talks about his camaraderie with director Rohit Dhawan, influence of paintings in his art & how shooting Dishoom was an organic process.
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My lensing and lighting was a reaction to the performances: Avinash
3 years ago

My lensing and lighting was a reaction to the performances: Avinash

A conversation with a cinematographer mostly revolves around terms and technicalities. Not often do you share a philosophical dialogue with a DOP. But when you talk to cinematographer-filmmaker …
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Goal was to portray Salman as a tough character walking this Earth: Artur
3 years ago

Goal was to portray Salman as a tough character walking this Earth: Artur

Cinematographer Artur Żurawski, the man who shot Sultan talks about his method, the method of Bollywood, and how he found a middle path between the two.
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